Ethics Law And Trust
Deepfakes, Consent & Misuse
Manipulated media is old. What changed is not possibility but cost.
Jr Codex Generative AI Notes
Level: Intermediate Prerequisites: Chapter 1: Copyright and Training Data Time to complete: ~20 minutes
Table of Contents
- What Changed
- The Consent Standard
- The Four Harm Patterns
- Design Responses
- The Liar's Dividend
- Where the Line Sits
- Summary & Next Steps
1. What Changed
Manipulated media is old. What changed is not possibility but cost.
The Cost Collapse
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Then Now
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Convincing fake a studio, weeks minutes
video and specialists
Cloned voice hours of clean seconds of
audio, experts any audio
Fake photograph a skilled one prompt
retoucher
Scale one at a time thousands,
personalised
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Why Cost Is the Whole Story
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When faking someone costs a week and a studio, it
happens to public figures, occasionally, for high
stakes.
When it costs ninety seconds, it happens to ordinary
people, routinely, for low stakes — a colleague, an
ex-partner, a classmate, a grandparent receiving a
phone call.
The technology did not create a new WRONG. It
removed the friction that kept the wrong rare.
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2. The Consent Standard
Module 4, Chapter 1 stated this for voice. It generalises to every likeness — face, body, voice, signature style.
The Standard
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Synthesising a REAL, IDENTIFIABLE person requires
that person's INFORMED, SPECIFIC, REVOCABLE consent.
INFORMED they understand what will be generated
and where it will appear
SPECIFIC for this use, not a blanket permission
buried in terms of service
REVOCABLE they can withdraw it later, and you can
actually honour that
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Three Things That Are NOT Consent
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"The photo was public."
Public availability is permission to LOOK, not
permission to SYNTHESISE.
"We own the footage."
Owning a recording is a copyright fact. A
person's likeness is a separate right that the
recording's owner does not hold.
"They agreed to the ToS."
Buried blanket permissions fail the SPECIFIC
test, and increasingly fail legally too.
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3. The Four Harm Patterns
Being concrete about harm is more useful than a general caution, because each pattern has a different defence.
1. NON-CONSENSUAL INTIMATE IMAGERY
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The largest category of deepfake abuse by volume, and
overwhelmingly targeted at women.
Illegal in a growing number of jurisdictions.
Defence: model-level and prompt-level refusal;
never a user-configurable setting.
2. FRAUD AND SOCIAL ENGINEERING
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Cloned voice on a phone call authorising a transfer.
Video of an executive in a meeting instructing a
payment. Voice-authentication bypass.
Defence: this is a SYSTEMS problem — out-of-band
verification and callback procedures, not detection.
Assume any voice or face can be faked.
3. DISINFORMATION
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Fabricated statements or events attributed to real
people, at scale, timed to elections or crises.
Defence: provenance infrastructure (Chapter 3) and
platform policy — detection alone loses this race.
4. HARASSMENT
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Targeted synthetic content about a private
individual. Low-profile, high-harm, and the hardest
to catch because the victim is not famous enough
for anyone to be checking.
Defence: fast, credible reporting and takedown.
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4. Design Responses
If you build anything that generates people, these are the mechanisms available. None is sufficient alone.
At ENROLMENT — for likeness or voice products
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- Require a recorded consent statement, spoken or
signed by the subject themselves
- Verify liveness so the enrolment cannot be done
from a stolen photo or clip
- Bind the consent record to the generated asset,
and make revocation actually delete it
At GENERATION
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- Refuse recognisable public figures by default
- Refuse the intimate-imagery category outright, at
the model and the prompt layer
- Rate-limit and log per account — abuse at scale
looks different from ordinary use
At OUTPUT
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- Watermark and attach C2PA provenance (Chapter 3)
- Disclose synthesis visibly where a viewer could
otherwise be deceived
- Retain enough audit trail to answer "who generated
this, and when?"
At the PRODUCT level
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- A reporting path that a NON-USER can use — the
victim of synthetic content is usually not your
customer and cannot log in to complain
- A takedown process with a stated response time
- A published policy, so users know the rules before
they test them
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The non-user reporting path is the one most often missed and the one that matters most. A person harmed by content your product generated has no account, no support ticket, and no way in.
5. The Liar's Dividend
A second-order harm that is easy to miss and arguably larger than the first-order one.
The Mechanism
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Once everyone knows that convincing fakes exist,
GENUINE evidence can be dismissed as fake.
A real recording of real wrongdoing becomes
deniable. The doubt is free, and it does not have
to be justified — only raised.
So the existence of synthesis damages trust in
authentic media, even where no fake was ever made.
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Why This Shapes the Technical Response
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You cannot solve the liar's dividend with DETECTION.
Detection tells you "this might be fake" — it can
never establish that something is REAL.
Only PROVENANCE can do that: a verifiable record of
where a piece of media came from, attached at
capture.
This is the single strongest argument for the
infrastructure in Chapter 3, and the reason the
industry has converged on signing authentic content
rather than on catching fake content.
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6. Where the Line Sits
Legitimate, With Consent
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- An actor licensing their likeness for dubbing
- Restoring speech for someone who has lost it
- A presenter localised into other languages
- Historical or educational recreation, clearly
labelled as such
- Satire and parody where no viewer could be
deceived, and local law protects it
Not Legitimate, With or Without Consent
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- Intimate imagery of a real person
- Impersonation to obtain money, access or
credentials
- Content attributing false statements to a real
person as though genuine
- Synthetic media of children
The Test to Apply
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"Would the person depicted agree to THIS use, and
would a viewer be deceived about whether it is
real?"
If you cannot confidently answer the first, you do
not have consent.
If the answer to the second is yes, you need
disclosure — or you should not ship it.
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7. Summary & Next Steps
Key Takeaways
- Synthesis did not create a new wrong; it removed the cost that kept the wrong rare, moving the target from public figures to ordinary people.
- Consent must be informed, specific and revocable — public availability, owning the footage, and terms-of-service acceptance are none of those things.
- The four harm patterns have different defences: refusal, out-of-band verification, provenance, and fast takedown; a non-user reporting path is essential and usually missing.
- The liar's dividend cannot be answered by detection, because detection can never prove something is real — only provenance can.
Concept Check
- Why is "we own the footage" not a valid basis for synthesising the person in it?
- Which harm pattern is best defended by a process change rather than by any technical measure, and why?
- Explain why the liar's dividend pushes the industry toward signing authentic media rather than detecting synthetic media.
Next Chapter
→ Chapter 3: Provenance and Watermarking
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